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Miguel Arzabe is a San Francisco-based visual artist who works across media, including painting, video, and paper weaving. Arzabe’s work has been featured in such festivals as Hors Pistes (Centre Pompidou, Paris) and the Festival du Nouveau Cinéma (Montreal); and in museums and galleries including RM Projects (Auckland), FIFI Projects (Mexico City), Marylhurst University (Oregon), Berkeley Art Museum, Albuquerque Museum of Art, the de Young Museum, and the San Francisco Museum of Modern Art. He has held many residencies including Headlands Center for the Arts, Montalvo Arts Center, and Santa Fe Art Institute. He holds a BS from Carnegie Mellon University, an MS from Arizona State University, and an MFA from UC Berkeley.

 

Press and Publications:

 

Dedicated Space, Alisa Carroll, San Francisco Cottages and Gardens, October 2016

The Anti-Fair: Artist-Run Miami Beach, Cara Ober, BmoreArt, 2015

Artists' unusual work redefines painting in ‘Las Cosas Que Pintan’, Victoria Dalkey, Sacramento Bee, 2015

Hacking the view, Andrea Valencia, SFGate, 2014

Q and A, interview by Arianne Gelardin, StoreFrontLab, 2014

Arzabe at CULT, Kenneth Baker, SF Arts and Not, 2014

Two Solo Shows, Leora Lutz, whitehot magazine, 2014

Miguel Arzabe /*Reject Algorithms*/, edited by Bonnie Begusch, Carets and Sticks, 2014

In Conversation, SFAQ, 2014

Experience Landscape in a Different Way, Pam Dillon, Dayton Daily News, 2014

Cover Image, Black Faces White Spaces, UNC Press, 2014.

CULT Objects, Kenneth Baker, SF Chronicle, 2013

Official Programmes, Hors Pistes 2011 and 2012, Centre Pompidou, Paris

Signal Fire heats up Artists' Connection with Nature, John Motley, The Oregonian, 2012

The Art of Miguel Arzabe, Michael Abatemarco, Santa Fe New Mexican, 2012

Thin Ice, Kenneth Baker, SF Chronicle, 2011

Falling In, Bonnie Begusch, Ampersand Intl Arts, 2011

LAND ART/NM, Radius Books, 2010

Post-Apocalpyse Now, Dewitt Cheng, East Bay Express, 2008